1. Klevgrnd Releases Espresso De-esser For Mac 2017
2. Klevgrnd Releases Espresso De-esser For Mac Free

Forum for professional and amateur recording engineers to share techniques and advice. Deeptrick, Deepwater, Deertay, deesser, Deetron, Defaced, Default, Defazed. Espionage, Espiral, Espiritu, Esposito, Espressione, Espresso, Espris, esprit. Klemmer, Kleptocracy, Klevgrand, Klezmer, Klezmerson, Kleztory, KLINGON. Macintosh, MacIntyre, Macios, MacJournal, Mackay, Mackenzie, MacKiev,.

Esspresso v1.0.0 WiN Team V.R Dec 22 2017 2.46 MB (Win32/64; VST3, VST) Esspresso is a fast, beautiful & powerful de-esser for everyone doing audio recording. De-essers have previously been aimed towards highly professional audio producers that needs full control over the sibilance (high frequency noises) in their mix.

These noises can bring trouble to your overall sound – for example if you want a ”crisp” tone to the voice and add the EQ, the S’s will eventually distort and make it hard to balance the mix. The uniqueness of Esspresso is that the detection frequency range isn’t coupled with the suppressors frequency range. That means you can listen to a specific frequency and compress another one, which is often what you’ll want from a professional de-esser. With a fast and accurate frequency response view, you will easily get full control over annoying S-sounds that otherwise can ruin the mix.

FEATURES:.Visual reduction RMS.Visual detector RMS.Detector sensitivity gain.Solo switch for the detector signal.Suppressor has three filter modes (all, band & high).Intuitive and unique user interface /BUY:Esspresso v1.0.0 VST VST3 x86 x64 WiN CE-V.R http://beelink.in/34830/Esspresso-v1.0.0-VST-VST3-x86-x64-WiN-CE-V.R.html. Gaffel v1.0.2 WiN Team V.R Dec 22 2017 2.9 MB (Win32/64; AAX., VST3, VST) Gaffel. is a tool that splits audio into different frequency bands. Using it on multiple channels lets the user create multiband effect(s) out of any other plugin installed. Frequency parameters are globally synchronized between different instances of the plug in if they’re set to the same group, which makes it really convenient to work with in any DAW.

Features: – Linkwitz-Riley cross over filter algorithm – Frequency parameters are synchronised globally between instances – Supports up to 8 different groups – Audio Units version, compatible with most Mac OS X DAW’s – VST version, compatible with most Mac & Windows DAW’s – AAX version, compatible with Pro Tools on Mac & Windows – System requirements: Mac OS X 10.7+ / Windows 7+ with SP1 or higher /BUY: Gaffel v1.0.2 AAX VST VST3 x86 x64 WiN CE-V.R http://beelink.in/34828/Gaffel-v1.0.2-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html. Grand Finale v1.0.2 WiN Team V.R Dec 22 2017 8.7 MB (Win32/64; AAX., VST) Grand Finale is a multi effect plug-in designed for finalizing complete mixes, stems, buses and/or individual audio tracks. The plug-in offers several modules in a pre-routed configuration. Each module has parameters to alter, and most modules offer a set of algorithms to select. These features come together to make Grand Finale a powerful tool for quickly finalizing a track, bus or mix. Usage: Trim the input signal, add your desired amount of compression, multi-band compression, stereo width, EQ, blend in some add compression and/or distortion, and glue it all together by balancing the input and output trim. Use the meters to monitor and and adjust your output level to whatever destination (for example, YouTube recommends -14 LUFS) Features: – High quality effects, trimmed for high-precision audio finalizing – LUFS and RMS output metering – Fine tuned algorithms for each effect module – Parallel signal in aligned phase – UI optimized for a quick and creative workflow /BUY:Grand Finale v1.0.2 AAX VST x86 x64 WiN CE-V.R http://beelink.in/34827/Grand-Finale-v1.0.2-AAX-VST-x86-x64-WiN-CE-V.R.html.

SquashIt v1.0.2 WiN Team V.R Dec 22 2017 1.6 MB (Win32/64; AAX., VST3, VST) This audio effect filter provides an unique distortion algorithm and should be essential in every music producers toolset. SquashIt doesn’t sound vintage, it just sounds good. SquashIt is developed by musicians for musicians. Features: – Unique distortion algorithm – Simple but yet powerful user interface – Low CPU usage /BUY:SquashIt v1.0.2 AAX VST VST3 x86 x64 WiN CE-V.R http://beelink.in/34826/SquashIt-v1.0.2-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html.

Korvpressor v1.0.2 WiN Team V.R Dec 22 2017 1.6 MB (Win32/64; AAX., VST3, VST) If you work with audio, you’ll eventually need a good compressor in your toolbox. Korvpressor. is an adaptive compressor / limiter that’s usable in many different ways. It has a super-simple UI, a whole new ”physical” take on how to tame and visualize a compressor. The controls are minimal – set the input gain, level of compression, and the output gain. However, don’t be mislead by this simplicity. Under the hood is a sophisticated set of algorithms, developed together with a team from the KTH Royal Institute of Technology in Stockholm.

The compression algorithm was designed with transparency in mind, and Korvpressor will sound great on almost any kind of sound; all from a vocal track to a full blown mix. If you push it even harder, it gives a nice squeezing effect. Features: – Algorithm developed by a team of engineers and professional musicians – Intuitive and unique user interface – Enable/Disable lookahead time Besides the compression unit there are three controls for low, mid and high frequency gains /BUY:Korvpressor v1.0.2 AAX VST VST3 x86 x64 WiN CE-V.R http://beelink.in/34825/Korvpressor-v1.0.2-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html.

R0Verb v1.0.2 WiN Team V.R Dec 22 2017 2.4 MB (Win32/64; AAX., VST3, VST) This audio effect filter is a hybrid between a simple reverb and a very complex delay. R0Verb consists of up to 50 separate delay lines, and puts you in charge of every single delay with controls for volume, pre-delay, feedback & high shelf. It can be used for everything from simple delays to complex spaces, whatever your mix needs. It also has a nice Randomizer if you’re feeling lucky! Features: – Up to 50 parallel delays. – Every delay has parameters for volume, pre-delay, feedback, delay time & a high shelving filter – Randomizer – creates a space with user-defined bounds – Multi-select and edit several delay-lines in one gesture – Post 3-band EQ – Comes with a few factory presets for inspiration.

When using a lot of delay-lines this app consumes quite a bit of CPU. If you experience audio glitches and stuttering we recommend reducing the number of active delay-lines. /BUY: R0Verb v1.0.2 AAX VST VST3 x86 x64 WiN CE-V.R http://beelink.in/34824/R0Verb-v1.0.2-AAX-VST-VST3-x86-x64-WiN-CE-V.R.html. Syndt v1.1.0 VSTi WiN Team V.R Dec 22 2017 9.9 MB (Win32/64; VSTi) Syndt.

is a high quality polyphonic synthesizer with a lot of possibilities. The oscillator waveform can be morphed between pure sine to pure square, and supports altering of pulse width. Both the shape and pulse width can be modulated by two independent LFOs. With fine-tuned low pass and high pass filters combined with a separate filter attack setting, (optionally based on velocity) this synth can create some raw and interesting sounds. The additional LFO can be shaped exactly as the oscillator, and optionally controls filters, gain and pitch (using a modulation wheel or just automatically).

This LFO can be synchronized to a AUv3 host. Features: – 70+ professionally made presets – XY pad based oscillator and LFO (PWM on the X axis and morphs between sine and square on the Y axis) – Independent mini-LFO (sine only) for each axis of the oscillator XY-pad. – LP / HP filter with resonance – LP Filter can be velocity sensitive – LP Filter has an optional attack time – LFO can affect LP filter, HP filter, gain level and pitch – LFO has an optional attack time – LFO can be synchronized with an AUv3 host (AUv3 mode only!) – Ping pong delay – Stereo Chorus – Three-band EQ – Legato mode with glide speed parameter – Pitch bend range Globally there’s a nice stereo chorus, ping pong stereo delay (that also can sync to a AUv3 hosts BPM) and EQ.

/BUY: Syndt v1.1.0 VSTi x86 x64 WiN CE-V.R http://beelink.in/34823/Syndt-v1.1.0-VSTi-x86-x64-WiN-CE-V.R.html. Brusfri v1.0.2 VST WiN Team V.R Dec 22 2017 7.5 MB (Win32/64; AAX., VST) Brusfri.

is a highly advanced audio noise reducer, packed into a simple and straight-forward interface. It is very well suited for cleaning up noisy audio recordings, while retaining sound quality. Unlike many other noise reducers on the market, Brusfri doesn’t mess with audio phasing to suppress noise (a technique that often comes with audible side effects). Instead, multiple fine-tuned gates are used to silence unwanted noise. Features: – Several frequency-trimmed expanders build an intelligent noise suppressor – No phase-altering, which leaves the desired sound untouched (no squishy artifacts as in many other noise reducers) – Intuitive and unique user interface /BUY: Brusfri v1.0.2 AAX VST x86 x64 WiN CE-V.R http://beelink.in/34822/-Brusfri-v1.0.2-AAX-VST-x86-x64-WiN-CE-V.R.html.

Jussi v1.0 VSTi WiN Team V.R Dec 22 2017 15.4 MB VSTi x86 x64 Jussi emulates male voice vowels in a unique way. Thanks to a set of powerful parameters you can make Jussi sing anything from soft and airy choir-like vowels to hard and angry shouting. Formants are controlled by playing with different velocity, which makes it fun and easy to play using a MIDI keyboard. Features: – ADSR with ”Turn-in” and ”Turn-out” option (Turn-in and Turn-out affects the pitch and maps it to attack and release) – Voice character XY pad (Intensity and Narrowness) – Legato mode (glides between notes and velocity levels) – Legato Hold mode (polyphonic legato when using a sustain controller, consult the documentation for more info) – Throat emulation XY pad (Grain and Tonality) – Built-in reverb /BUY: Jussi v1.0 VSTi x86 x64 WiN CE-V.R http://beelink.in/34821/Jussi-v1.0-VSTi-x86-x64-WiN-CE-V.R.html. NViDiA GeForce Release 388.71 WHQL WiN 10 / WiN 8 / WiN 7 / WiN XP WiN Vista Linux NViDiA 440.49 MB Game Ready Drivers provide the best possible gaming experience for all major new releases, including Virtual Reality games.

Prior to a new title launching, our driver team is working up until the last minute to ensure every performance tweak and bug fix is included for the best gameplay on day-1.

It was cloudy and rainy in New York City during all four days of the recent AES show, but inside the Jacob Javits Convention Center it was all sunshine and blue skies. The crowds were excellent (more than 20,000 attended), the morale was high, and the new gear was everywhere. It's hard to recall a previous AES show with as many product introductions. There were new items from manufacturers in wide range of categories. No major trends were in evidence, although there was a surprising number of new portable recorders and ribbon microphones.

It was impressive how much of the new gear was either already shipping or within a month or two of doing so. There seemed to be less vaporware than at previous music trade shows. If this AES show is any indication, 2006 will be a good year for gear. The following are some of the highlights from the show, arranged in categories and presented in alphabetical order by manufacturer name.

HOT NEW HARDWARE Although the recording field is more and more dominated by software, there was lots of cool hardware on display. Was showing off its new Ribbon Mic Preamplifier ($800), a two-channel mic preamp designed expressly for ribbon mics. (AEA makes several ribbon mic models, but the unit will also work with other brands.) It features XLR I/O and very high impedance (18,000Ω). The Ribbon Mic Preamplifier is expected to begin shipping in January. The most notable of several new products introduced by was 4Mic ($750), a handheld, battery-powered, 4-channel mic preamp and A/D converter. The unit handles audio resolutions up to 24 bit, 192 kHz. Here's the really cool part: according to Core Sound, the 4Mic can 'multiplex the four microphone channels into two recorder channels, turning a two-channel 24/192 recorder into a four-channel 24/96 recorder.'

The unit gets nearly four hours of running time on set of batteries, and can provide 48V phantom power to all four channels. The 4Mic is expected to ship in November of this year. Electro-Harmonix Flanger Hoax showed another new pedal, the Flanger Hoax ($298), which the company calls a Flanging Phaser Modulator. It gives you a range of flanging and phasing effects, Direct, Blended, and Effect outputs and more. It's available now. Entered new territory by unveiling a powered monitor, the PM5 Precision Monitor ($699/pair). Due to ship in mid-November, the 40W/40W biamplified PM5s have 4-inch woofers, and neodymium high-frequency drivers.

Inputs include balanced XLR, 1/4-inch, and unbalanced RCA. Each monitor also has Treble, Bass, and Input Sensitivity controls. Displayed the 8020A ($429 each) the newest member of its line of active monitors. It sports a 4-inch bass driver and a 3/4-inch tweeter. According to Genelec, the frequency response is 66 Hz to 20 kHz (± 2.5 dB).

Also on display was the 7050B ($1,095), a new subwoofer that's designed to go with the 8020A. Genelec is also offering the 8020 LSE Espresso System ($2,999), a 5.1 system that combines five 8020s with a 7050B. HHB FlashMic, which is distributed in the U.S.

By debuted the FlashMic DRM85 ($1,300), which it termed 'the world's first professional digital recording microphone.' Scheduled to ship in January of 2006, the self-contained FlashMic DRM85 looks like a conventional handheld mic with some additional controls on the end. The unit is designed for high quality voice recording and records in mono only at up to 16-bit, 48 kHz resolution. It features a Sennheiser omnidirectional capsule, is equipped with 1GB of Flash memory, and has a USB interface for transferring files to a computer.

Power is supplied through a pair of AA batteries, which HHB says gives users over 6 hours of battery life. JBL LSR4300 announced two new active monitors featuring the company's RMC Room Mode Correction features, which let you tune the speaker to the room's acoustical characteristics.

The LSR4326P $1,399/pair) is a 6-inch, 2-way system, and the LSR4328P ($1,699/pair) is an 8-inch, 2-way system. Both have 24-bit AES/EBU and S/PDIF digital inputs as well as XLR and 1/4-inch analog inputs. The monitors are equipped with Harman's HiQnet network protocol that allows for central control of the speakers from a single position. The speakers can be controlled from your desktop with the Control Center software (QQQ & Win) The monitors come in pair packs that also include a calibration mic, cables, and a remote control. The big news at was the introduction of the Lambda (price TBA) USB audio interface. Although not as fully equipped as its more expensive sibling, the Omega, the Lambda offers plenty of features including two XLR mic inputs, two 1/4-inch balanced line inputs, balanced line outputs, an 1/8-inch headphone output, and a monitor mix control knob that varies output between the direct and the playback signal.

Included with the Lambda are Cubase LE and the Lexicon Pantheon reverb plug-in, both of which run on Mac or Windows., which had a large, lounge-like booth with sofas and comfortable chairs, was showing off its two new TonePort USB interfaces that are designed for both Mac and Windows. The TonePort UX2 ($279) was the most impressive, sporting two mic inputs with phantom power, separate controls for the headphone and main outputs, two footswitch jacks (start/stop and punch-in/out), analog VU meters, a DI input, and more.

The TonePort UX1 ($199) has a single mic input, a DI input, stereo analog I/O, and more. Both units offer 44.1 and 48 KHz sampling rates, 16- and 24-bit resolution, and also have a 96 KHz mode. Both feature the same sound engine as POD XT and the Vetta amp, and come with come with Line 6 GearBox software, which provides amp and cabinet models for guitar and bass, as well as models of vintage mic preamps. The units each have drivers for ASIO, WDM, and Core Audio, and are due to ship in November. Best product name of the show had to go to for its LMNOPRE ($1,680), a single-channel mic preamp with a fully discrete gain stage, 68 dB of gain, and a low frequency resonance control that the company says will allow users control over the amount of proximity effect and the amount of transformer saturation. The unit also has a DI input among many other features.

Was previewing the Onyx 1200F ($1,999), a 24-bit-192 kHz-capable FireWire audio/MIDI interface with 34 inputs and 30 outputs. The unit, scheduled for release in February of 2006, offers a range of I/O including 12 analog XLR/1/4-inch combo jacks, dual ADAT Lightpipe I/O, S/PDIF I/O, AES/EBU I/O, Word Clock, dual MIDI In and Out, four headphone jacks that can support four different mixes, and two FireWire ports. A built-in talkback mic is also included, and the Onyx 1200F will be bundled with Mackie's Tracktion 2 DAW software. Was showing a new mic preamp called the Grand Pre GP1 ($1,300). The 2U rackmount unit has input and output controls, 48V phantom power, an FET Direct Input, a phase reverse switch, and more. It's designed to get a 'British' sound. A 2-channel version is available for $2,000.

Had the Trio USB ($549) on display, a USB version of its all-in-one channel-strip processor. The Trio USB, which was announced back in August and is due to ship in October, has the same controls and functions as the original Trio, but replaces its S/PDIF ports with USB I/0. At the booth, the company showed several improvements for Receptor, its hardware plug-in player.

First, it debuted version 1.4 of Receptor's software, which it says improves both MIDI functionality and RAM utilization. In addition, it announced that dozens of plug-ins, from such companies as Native Instruments, FXpansion, EastWest, IK Multimedia, and Cycling '74, among others, are now compatible with Receptor.

But the most exciting Receptor news, at least from a recording standpoint, was the introduction of a technology that Muse calls UniWire. It allows you to connect a Receptor to your computer over an Ethernet network, providing you with 32 channels of audio. Nagra ARES-M a company known for its high-end portable recorders was showing the ARES-M ($970), a competitively priced, handheld audio recorder. The unit features 1 GB of built-in recording memory, a mono internal mic, an external stereo mic that clips into the unit's 1/8-inch mic input, a built-in speaker, and a USB port for data transfer. Audio can be recorded compressed (MP2) or uncompressed (WAV), with maximum a sampling rate of 48 kHz. The unit is powered by 2 AA batteries, which can yield up to 10 hours of continuous recording. Was showing the ReMOTE SL 25 (price TBA), the company's most fully featured USB/MIDI keyboard to date.

It sports 25 semi-weighted keys with aftertouch, two 144-character LCD displays that can show as many as 16 different parameter names at a time. The keyboard sports a whopping 56 assignable knobs and sliders, eight velocity sensitive trigger pads, and a touch pad. The unit comes with 40 templates, 39 of which are programmed with control maps for popular music software titles.

The 40th is used for Novation's Automap mode, which is designed to automatically recognize and map the controls of a connected device (if that device supports Automap). A software editor is also included.

Open Labs Neko Gen 2 introduced revamped and lower-priced 'second-generation' versions of its self-contained keyboard/computer workstations. The NeKo64 Gen 2 (61-key:$5,995; 76-key $6,595) runs on a 2.0 GHz Athlon dual-core 64-bit processor; and offers Ethernet, USB, FireWire, MIDI, S/PDIF, Wordclock, and analog I/O, among its many features. The affordable NeKo LE Gen 2 (61-key: $2,295; 76-key: $2,895) gives you S/PDIF, AES/EBU, and analog I/O, and much more.

Both units feature Open Labs 2.0 GUI software, Windows XP Professional OS, a DVD combo drive, and a 15-inch LCD touch screen. According to Open Labs, these two keyboards are 'the fastest keyboard production stations in the industry.' Both offer the Clone Hardware option, which allows you to sample the sounds of any keyboard or module directly into them. The second-generation Nekos are due to ship in late October. Fans of high-quality analog processors will be impressed with the new PL-2 ($2,500) from. The unit is a brickwall limiter with two independent channels (with a stereo link mode); two limiting modes: hard (JFET) and soft (MOSFET); and a transformerless, solid-state design.

It's scheduled to ship in December. At the booth, it was announced that two previously announced Joemeek processors were now shipping. The OneQ ($799) is touted by Joemeek as 'the most full-featured, technologically advanced studio channel' that it's ever made. This 2RU single channel unit has a mic pre, a 4-band EQ, an optical compressor, an enhancer, and a de-esser. The SixQ ($599) is a 1RU, single-channel mic pre with an optical compressor with makeup gain, a 3-band Meequalizer, and more.

Klevgrnd Releases Espresso De-esser For Mac 2017

PreSonus Inspire 1394 unveiled the Inspire 1394 ($229) a 4-channel FireWire recording interface with two XLR mic pres, two instrument preamps, and stereo RCA analog I/O. The unit—which will be shipping by the time you read this—can be daisy chained with up to three other Inspire 1394's to provide additional channels. It comes with Steinberg Cubase LE (Mac/Win) Sony Acid XMC (Win), as well as a collection of plug-ins and 2 GB of samples and loops. Among many new products at the booth, the one that stood out most from an EM reader's standpoint was the Pro D2 ($149), a full-range, passive, stereo DI box, which is particularly suited for keyboard-recording applications. Like other Radial products, the Pro D2 is very solidly built. The unit is available now., which introduced its Portico range of processors earlier this year, rolled out another new one, the Portico 5032 ($1,995), a half-rack-sized, single-channel mic preamp and EQ. The company describes the EQ as having 'steep Shelving high and low bands and a wide ranging mid band.'

The unit features the same mic-preamp circuitry as in the Portico 5012 ($1,795) dual mic pre, which was released in May. Sony PCM-D1 revealed the PCM-D1 ($2,000), a handheld stereo digital recorder.

The solidly built unit comes with 4 GB of Flash memory, and recording time can be increased further with an optional memory stick. The PCM-D1 has a built-in stereo mic, analog mic and line inputs and line outputs, and a USB 2.0 port.

Maximum recording resolution is an impressive 24-bit, 96 kHz, and the unit can record uncompressed or compressed audio. It's powered by either four AA rechargeable batteries (included), four standard AA batteries (which yield significantly less recording time), or an included AC adapter. It's scheduled to begin shipping in December., a company known for its pro audio products, showcased a relatively low-priced 32x4 line mixer called the X.Sum ($1,490). Due out in November, the unit offers balanced 1/4-inch TRS I/O, 16 stereo channels, and Mix and Mix B outputs. Each channel features level, pan, mix-assign controls, and a mono switch. Was showing off several new monitors that were previously announced but now are shipping.

Among the models were the Reveal 5A ($399 each), which has a 5-inch driver; a 25 mm, soft-dome Neodymium HF driver; a 40W/20W biamplified power amp; a balanced XLR input; and more. The Precision 8D ($1,029 each) sports an 8-inch driver; a Tannoy SuperTweeter; XLR, 1/4-inch, and S/PDIF inputs; and a S/PDIF output for slaving a stereo pair. The 6-inch version, the Precision 6D ($859 each) was also on display. The Precision speakers are equipped with Activ-Assist technology that includes software that—in conjunction with a measurement mic (not included) and DIP switches on the monitor's rear panel—help tune the monitors to the space they're located in.

Klevgrnd Releases Espresso De-esser For Mac Free

The featured item at the booth was the HD-P2 Portable Stereo Recorder ($1,249). Due to ship in November, the unit (which was co-developed with the records at up to 24-bit, 96 kHz resolution onto CompactFlash media. It sports FireWire, S/PDIF, and analog (RCA) I.